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This chocolate-ware 'Guinea incised' example has a bowl sitting on pierced tripod legs. Minor slip loss and surface imperfections present along with light deposits. The main body shows linear, angular and stepped pyramid designs. Intricately painted with undulating linear designs on the upper half and a star design below the spout. His face shows a wide smile and he has one fist raised in a triumphant gesture. A barrel-form vessel with cylindrical body topped by loop handles and flared spout. The arms and legs are diminutive; one hand is holding a long tendril that extends up one side and past the rim. The scene on both sides of the vessel depict the Moche Protector God (Ai Apaec) in combat with the underworld Decapitator God. There are three sizes here, possibly representing different monetary denominations. The surface is also slightly clouded by a salt-lime haze which could be cleaned, but is currently in original, as found condition. The stirrup handle is slightly flattened (squared) on the sides and is topped by a straight spout. These ancient musical instruments are constructed with a row of hollow tubes of different lengths that produce a variety of notes. Small in size (very rare) possibly made for a child. In the center is an idealized Teotihuacan-style face wearing circular ear flares and a large nose ornament. Beautifully painted in dark brown-black against a cream ground. Small losses restored on the spout and light paint enhancements, otherwise intact and original. A fine example that displays well on the custom metal stand which is included. A depiction of a Lord or Shaman, certainly a person of importance or high social status. The upper bowl has corseted sides and is decorated with rows of applied and incised designs, topped by a widely flared rim. The larger olla (3.25" tall) has stylized zoomorphic designs. Some surface pitting, mostly around the spouts and handle. Ample mineral and earthen deposits are present overall. The upper part of the spout has been restored, otherwise it is intact and original. All carved from hard-stone of various types and colors. Several show moderate to heavy edge chipping and losses. Each has light to moderate deposits consistent with age. All are in very good condition; intact with some minor surface wear and light deposits. It is substantial in size and displays dramatically. The vessel is rounded in form and has two large, realistically sculpted, saurian-type creatures decorating either side of the top opening. 00 — Mexico 450 AD - 750 AD A rare and exceptional Maya plate from Chipas, Mexico. Typical of the type, all have bulbous bodies, low footed bases and sculpted relief faces. He is seen here flanked by two prone figures representing his descendants; known as the "children of Naymlap". The rounded olla has a flared spout and a head emerging from the side that appears to be a stingray or possibly a stylized human face. Well made and thin walled examples of buff (unpainted) terracotta "bisque ware" pottery, typical of that region. All have minor restoration, mostly rim chips and small cracks restored, but are generally intact and original. Each is on a custom metal tripod stand and display beautifully as a group. His clothing is decorated with incised designs and raised concentric circles. 0 — El Salvador 900 AD - 1200 AD Two Post Classic Lenca vessels from El Salvador. A flared pedestal base carved with open-work designs supports the upper bowl. Heavily weathered surface overall with moderate deposits and only traces of painted decoration visible. The figure is beautifully sculpted and has an expressive face; smiling widely with exposed teeth and almond shaped eyes. — Peru 1200 BC - 1000 BC A superb, early Chavin (most likely Pre-Chavin) stone mirror. The finely detailed figure is shown wearing elaborate regalia, large crescent headdress, ear spools with long tassels, tunic and loin cloth. Some light paint enhancements, otherwise all original and completely intact. Although moderately restored, it is a lovely example. As is often seen in Cocle art, these stylized creatures combine serpent, bird and other elements. It enabled them to induce shamanic trances and visions. Carlos Museum at Emory Universtiy, Atlanta, Georgia. 12" tall on stand 50 — Guatemala - Honduras 600 AD - 900 AD Very large Maya stone pendant dating to the Classic Period. Restoration to a small area of the lower corner, else intact. 3.5" tall on stand - Celt 2 (right) - Carved from green stone with earthen deposits and light surface staining. Both have a heavily oxidized surface as would be expected. The burnished blackware surface shows light mineral and earthen deposits.… continue reading »